This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
Inspired by a pursuit of beauty, Riley combines classically thoughtful botanical designs with Parker’s carefully considered film images in an expression of the multifaceted relationship between humankind and nature. The two artists contrast anonymous portraiture with sweeping landscapes in an attempt to capture both the malleable and untamed aspects of the natural world.
My friend was walking and found this Godzilla toy in the Trash so he put a shirt on it, named him John, and then took him out to T.G.I. Fridays and then Dinner was on John.Godzilla is such a bro
Suehiro Maruo (b. 1956, Nagasaki, Japan) Eye 1 Drawings